To not be able to use HAP codec (which is widely used by visual artists in particular) or really any third party codec, was a huge oversight.Īnd you gotta love that the best solution to make a software I pay for monthly work properly, is to buy a third party extension for AME at $100 a licence. What they also didn't do is put in place any kind of alternative. But their decision to do so was a MAJOR shift, and was not adequately communicated to the users (as usual). Well, I realize Adobe didn't do this just to inconvenience me (and thousands of other users). There are plenty of things the Creative Cloud Desktop App could do to make updates more transparent (and people should file feature requests for those, such as disabling the "uninstall previous versions" button by default), but that's an issue for that app. I know most people don't do that, but it's our responsibility as users to know what we're installing. Confusion was created because people didn't read release notes when they upgrade. If you still have access to them in CC 2017 then you should just use that. I would argue that most people are on the same versions of Pr, Ae, and AME-not necessarily the same version as everyone else, but on their own machine each is more likely to be the same than different.Īs for disconnecting those codecs from everything except AME, I think that would have added just as much confusion and is a seemingly pointless exercise. Also, I feel like Dynamic Link backwards compatibility would be a waste of development resources. I've gotten different versions to work with older versions of AME by simply having them open in the background before sending a comp to it, but it's not a good idea.
That's not to say that it's not possible.
Installer Size: 951 MB Download Links : Adobe Media Encoder CC 2017 v11.Dynamic Link gets updated just like the rest of the software, so having version mismatch could cause issues with connecting comps. – ProRes libraries for improved performanceĪdobe Media Encoder CC 2017 New Features:
– Dolby Digital and Dolby Digital Plus support for 5.1 and 7.1surround sound – Time Tuner for automatically adjusting the duration of renderedprojects – New application support for Adobe Audition and CharacterAnimator Here are some key features of “Adobe Media EncoderCC”: The bottom line is that Adobe Media Encoder has progressed a lotthrough the years and can now provide great results in the minimumamount of time, using new technologies that make the best of thehardware for blazing-fast outcome of the highest quality. While allof these may add some time to the overall encoding time, sometimesthey really can make a difference. You can alsochoose to use maximum render quality and frame blending. The ‘Advanced Settings’area also allows you to set the keyframe distance.
Moreover, you can quickly and easily set the bitrate encoding aswell as the target and maximum bitrate.
The Video section allows you to set thebasic video settings such as the resolution, frame rate, fieldorder, aspect, TV standard, profile or level. Just give it a name,select the format and base it of a preset if you want to and alsowrite some comments, too.
You can also set up presets of your own if you don’t seem to findone to accommodate all of your requirements. Upon each and every jobyou add to the queue, you can select from a plethora of profilescovering virtually any possibility and combination of size andresolution. Your videos can also be optimized now andresolution selection is just a breeze.Īlongside these great set of profiles, Adobe Media Encoder alsopacks a very intuitive interface that can prove to be the perfectenvironment for creating your jobs queue. With Adobe Media Encoder, you can now export your projects intoplayable content on any screen you might think of due to its powerand very potent features. Adobe Media Encoder CC addresses Adobe PremierePro and Adobe After Effects users with an easy-to-use integratedvideo encoder for their sequences and compositions.